Hey everyone.
Welcome to today's discussion.
Today we're gonna be talking, uh, about, uh,
the bird symbolism that we find in the lab one,
and that is according to the, uh, the, the birds
that replaced into the chair
and what it kind of means for us individually.
And then we're gonna go into speaking about the, uh,
resurrection or what the loved one has to say about it,
and then kind of tie it into, uh, you know, that
that's a forest really within ourselves so we can tap into
and how those two actually relate.
So let's get into what they have to say about the bird.
So this is session 94, question 24.
Uh, the bird in card three, which is the empress seems
to now be internalized in this center
of the entity in card four, which is the emperor.
And that it has changed from the,
the flight then has achieved its objective
and become part of the experience.
Can raw comment and raw answers.
The perception is correct,
but what shall the student find the bird to signify?
So they do leave it open, uh,
for interpretation from the individual.
Um, and I'll tie in a, you know, some of my own opinions
and everyone has their own discernment on this.
Everyone has their own distortion on this.
Uh, you know, to me it, i, it really made me think of
taking flight.
You know, the bird takes flight,
and that is something that the bird must learn how
to do on its own, is to take flight.
The mama bird doesn't really, I mean, they do,
I guess they do show the baby birds a little bit,
but really it's up to the bird itself to take the flight out
of the nest and learn how to kind of sail the world.
Uh, but let's move on 'cause there's some more goodies.
So this is session 92, question three.
Um, and this is, um,
he is been doing some consideration on
me appearing to the hawk.
And I think this was, um, Don actually had a, an, a,
a visitation from a hawk in regards to, um,
a think a house he was buying a hawk had showed up, showed
and had made this analysis of the bird in car three.
Here we are at the empress again,
the bird is a message from the higher self
and the position of the wings in car three,
one pointing towards the female indicates
that this is a message to the female acting
as catalyst for the mind.
The position of the downward wing indicates that the message
is of negative or, uh,
of a nature indicating the inappropriateness
of certain mental activity.
And this is where it gets really interesting,
because Don asked, would raw comment on this?
And raws like, Nope.
So, but he didn't ask, is this correct?
All he asked is, would raw comment on this?
And they said, no.
So we don't know if this interpretation is correct or not.
I gotta say though, it does make sense to me.
Um, again, it's your interpretation,
but looking at this card in card three,
but the empress, the, the bird is, is handing down a message
to the higher self of the bird, is a messenger.
Okay? And then we have handing down to the empress,
which is an archetype of ourselves, okay?
And they're saying that the position of the wings,
do you know, do they mean anything?
And my own interpretation of this tar,
I would look at everything.
I think that it would mean something if you're looking down,
um, that may be of a negative nature.
Everybody has their own take on how
to interpret it, these cards.
Uh, but it is something of a good advice as far
as how to read these cards.
'cause raw does say, Hey, you know, um, what,
what do you feel like that means?
And it's kind of up to, uh, the intuitive intuition
of the reader, even if you're reading for yourself
or for others.
So, um,
and this is in regards to, again, positioning
of the downward wing indicates negative,
uh, mental activity.
So that may mean that the, the message is that, um,
this particular individual
or you, yourself are, um, interacting with a
negative mental activity, maybe being down on yourself
or judging you or judging others,
or being stuck in a loop of trying
to understand something internally
or not moving past a certain situation in your mind.
Um, and, and not having forgiveness,
I can mean a lot of things.
Uh, it really depends on the individual, uh,
and their current circumstance.
And again, whatever intuitive hits at this reader,
or if you're reading for yourself or getting at this time.
So, um, yeah,
and this is very talks about, um, the visitation
of the hawk when they were, I believe, looking at a house.
So, uh, the answer is quite something.
So again, this is where raw kind of leads it up to the,
the person, you know, what bird comes to a firm for raw,
what bird would be chosen to warn?
We ask a question or two upon these queries.
So they say, Hey, question, you know, know,
what do you feel like these things mean to you?
Uh, it's all personal. Okay.
Um, and this one,
this question Ross says it bears little of sense,
but it, it kind of did to me.
I don't know, maybe the more I looked at it,
the more I found something in it.
Not sure, but we'll go over it. This is 94 point 25.
Uh, the birth signifies a communication that comes
as a catalyst, signified in card three, again,
that's the empress is then accepted by the female,
and then, uh, used and becomes a portion of the experience.
Am I in any way correct?
Andra says that bears little of sense, so
very direct and forward.
Yeah, that doesn't make sense, but to me it does.
So the bird, if the bird is on messenger, okay, um,
and they're bringing a communication, which is
what a messenger would do,
and maybe there's some information involved
or a question involved to try to prompt the individual.
Um, you know, and just
because it says female doesn't mean it's actually a female.
It just, you know, RA explains that
the gender in the card, such as the empress is depicted
as a female, really means that this
or specific archetype is more apt to be, uh,
drawn to a female.
It does not mean that a male cannot, um, you know, take on
that archetype at any time.
It just means that the female is more apt
to kind of reach out for that.
So, um,
but, uh, the ca again, this, if this is information,
maybe it's a question, maybe it's a symbol to kind
of prompt the individual that's getting this message for,
uh, to take action or to ask questions,
and that then it becomes a portion of the experience,
you know, if that person does, um, take action on this.
So, um,
this is 91 point 31.
Uh, I have listed the sword of struggle.
I am not sure that I even, um,
can call anything in this diagram a sword.
So, and I know this has nothing to do with the bird,
but I did find it quite interesting
because the answer doubt, not the struggle,
but release the sword from its strict stricture,
observe the struggle of a caged bird to fly.
And there is more
that goes into this when talking about the magician
archetype and, uh, the illustration
of the original, uh, Egyptian tarot.
Um, but it just reminded me of King Arthur
and the sword, you know, removing the sword from the stone.
And then I kind of applied it to my own life
and those around me.
And basically it's saying, you know, release the struggle.
Why does there have to be a struggle?
Why does humanity make everything a struggle?
And we do this to ourselves. I found myself doing it.
Um, when it, when we're in the mind that
we have abundance, we have that mindset of
not coming from lack, that we have everything we need right
now, and there's, everything will be
provided for us no matter, everything is,
is working out the way that I need it, as long
as I am staying true to myself and others.
And, you know, attempting
to live a holy life the best way that I can.
Nothing is ever perfect.
But then again, everything is imperfect.
So, um, if nothing was perfect, then you would be here
at this moment doing what you're doing.
And there's, there's a lesson in why you are
at the point at which you are.
E even though you may see it as a negative, maybe you,
maybe the experience was needed to get you
to a certain level, uh,
with which you have already manifested yourself to be.
And everything is just working out
and coming into connection with that manifestation.
So, uh, remove the storage from the stone. Okay?
Uh, they did talk about, observe the struggle of a cage,
bird to fly.
Um, I, I remember having a dream once that I, I had,
um, I was holding a bird cage
and there was probably, I don't, half a dozen
or so, maybe seven or eight birds in this cage.
And, um, they were all like weak
and, um, hungry
and just on the brink of dying basically.
And I just remember being just so, um,
worried about these birds.
And I'm like, oh my gosh, they're gonna die.
So then I opened the cage, and then they all flew away.
So, yeah.
And so I, I guess the moral, what I was trying
to explain is open the cage.
I think the only thing keeping the cage door closed is
ourselves and not understanding, um, that we, you know,
come from this, this facet of the creator
and maybe a team in programming, um, by trickery, you know,
that we do not hold the power within ourselves.
Um, but open the cage, open the cage.
Don't be afraid to open the cage.
'cause that's where freedom lies.
So, um, this one here, um,
94 point 27 is talking more about the shape
of what's going on.
And the emperor card card four.
So, um, I think we've already discussed shapes,
but shapes do hold some type of spiritual, um,
activity with it rounded shapes or pointed shapes.
Uh, they do kind of act as a catalyst for, um, you know,
the raising a consciousness in that.
So, uh, this is
the one I was speaking about with the magician.
So let's go into that. It says 91 point 24.
The bird is a messenger that the hand is reaching down
to unlock.
And I do believe these, uh, the photos
of the cards are on this website.
If you go all the way down, you'll be able to see, uh, the,
the pictures of the tar.
But basically in this magician, you have a person
with a wand and a bird, a cage,
and, uh, the magician is reaching down.
So, uh, Ross, as the wing visions
or images in this system are to be noted, not so much
for their distinct kind as for the position of the wings,
all birds are indeed intended to suggest flight
and messages and movement.
And in some cases protection.
The folded wing in this image is intended to suggest
that just as a matrix figure, the magician
cannot act without reaching its winged spirit.
So neither can the spirit fly,
lest it be released into conscious manifestation
and fortified thereby.
So here we have a description of the spirit
where Rah is saying that the spirit is winged.
Um, so this is, uh, symbolic for us.
We are the ones in the cage,
and our spirit is the one with the wings and, uh,
and is in a sense able to open that cage of,
of limited consciousness.
And so the only one snapping us is us, I suppose.
And because, well, sure, no fault of our own,
but we can forgive that
and move on, uh, at least as long as we understand
that once we really make that connection with our, the,
the spirit that we become winged
and are able to, to live a life directed by the spirit,
but also connecting the mind body in the spirit
as one entity working together
and understanding, you know, the, the spirit is a shuttle
for these universal energies,
and the consciousness is on one receiving,
and then the consciousness gives orders to the body to move
or, uh, and working in can tandem with the emotions.
But, uh, before we talked about
how the emotions are actually kind of coming from this mind,
the mind is the one that actually, actually, um, says
to the body to make cortisol
or, uh, to, to make these different hormones
or, uh, the, the chemicals that is causing these emotions.
So, uh, our mind has a capability of saying, I am
in this world, but I'm not of it.
I will control this anger. I will control this, uh, sadness.
I will control this, uh,
whatever emotion that you're having.
So, um, and inter I had
to kind of read this specific
and entry over and over again
'cause I'm not, I wasn't sure quite what it was trying
to say, but the spirit cannot fly,
let alone be released into conscious manifestation.
Um, I kind of had
to look at a couple different interpretations
of the definition of lest it be, it's kind
of like an old English, you know, thing going on.
So really it's more, you know, neither can the spirit fly,
let alone be released into conscious manifestation
without the conscious mind reaching
to its spirit.
So everything has to work in canand
with one another, mind, body, spirit.
We have to know the, uh, limitless of, of each one
and accept each one is part of us.
And, um, then understand
that the only thing stopping us from opening
that cage is essentially ourself.
I did go into a little bit on this card, um,
I'm not sure it's gonna come up in,
maybe I can do it when we're done with that.
But the magician in this card is holding a wand,
and it does say that the wand actually isn't really a wand,
it's a symbol for the will, the will of the magician.
So the magician really is, is consciousness. We know that.
And it's not the, um, it's not the consciousness's thinking
and, um, collaborating, you know, and,
and contemplating and all of that.
It's just consciousness in general.
So, um, then you have the will, okay?
What is the will of a consciousness? Is it to heal?
So we really don't need the ones,
and we really don't need the tools.
You know, we really don't even need the cards
of tar in front of us.
We, we really can do this ourself.
They're more of a tool to get us used to, um,
that we do have this situation
and we can pick up on these things, whether it be
for ourselves or for others, and, and help 'em that way.
But, uh, so I found that interesting.
The will of the magician is what opens the cage
that the bird is trapped in.
And we are symbolic for that bird.
Okay? And here's another one where i's just like, nope,
but they didn't, but they, they, again,
they didn't ask this right
or wrong, they just said, will you comment on this?
And they're like, Nope. But we'll read it
'cause it is a very interesting, um, session.
So, uh, this seems to be connected with the concept
of birds being messengers in the tarot.
And this is a demonstration of the concept of the tarot.
And I was wondering about the mechanics
of this type of message.
I assume the hall was a messenger,
and I assume that as I saw as a possible meaning of this
with respect to activities
and the state of free will, getting a message
through the appearance of this very unusual bird.
I believe he's talking about the home.
Um, I say in that it came so close,
I would be very interested in the origin of the message.
And then they answer the question in the question itself.
It's the origin is a one creator.
So, uh, they did not answer they,
but again, I think it's the way they asked it.
They didn't say, am I right or wrong,
or Could you expand on this?
You know, they just said, would you comment?
And they're like, Nope.
So I think the language
of the al asking the question is super important when coming
to, you know, really trying
to understand the mechanics of these things.
So, um, here we're talking about the burden of cage again
and AR type number one.
Uh, this is session 89 point 21,
represented by the tarot card.
Number one, the matrix of the mind seems
to me have four basic parts to the complex.
Looking at the card, we have, um, the magician as a part.
And what seems to be at approaching star, a stork
or similar bird seems to be in the cage on top of the cage.
We have something that's very difficult to discern.
Am I correct in this analysis?
Uh, you are confident in viewing pictures.
That's the equivalent of good job.
You have not yet grasped the nature of the matrix
of the mind, which is an addition as fully
and is reliably upon contemplation.
We would note that the representations drawn
by priests were somewhat distorted by, um, acquaintance,
acquaintance with the dependents upon the astrologically
based teachings of the CDIs.
So I really, they the Egyptian priest that were, uh,
creating these types of cards, they had, um,
some influence from the CDIs.
It also says somewhere else they did have influence from,
uh, the Sumerians as well.
Uh, Sumerians are real big into astrology.
And, um, I think that kind of gave a mixture of
what Rah was trying to give, give
and into what was created by the, uh, Egyptians.
So, but they were asking, you know, um,
about the, the symbolism of the bird and the cage
and what was on top of the cage.
And these things we all need to look at as far
as if we were the bird in that cage,
what is going on around us?
And again, I have to say again,
the only thing stopping us from getting outta
that cage is ourselves, you know, by not realizing our full,
um, you know, um, potential with things.
We have all of that potential within us.
We just have to realize it.
So once we realize it, then we open the cage
and we are, we are free.
So, um, again, you know,
going into the bird is a messenger, 93 point 10,
the bird might be a messenger.
The two paths depicted in the position
and the wings bringing catalyst,
which could be polarized on either path.
Is this any way correct?
Um, it is correct perception that the position
and the winged creature is significant,
the more correct perception is entity and its significance.
It's a realization that the mind, body,
spirit complex is having made contact
with its potentially itself now beginning its flight towards
that great logos, which is that which is sought
by the aaps.
So this is where I was, you know, talking about how,
you know, seeing the bird is flight,
the the bird means flight, um,
and maybe their guests need to be a certain catalyst,
you know, internally or externally in order for us
to realize that it's us, it's capable of flight.
And I'm not, I don't mean levitation
and physically taking off under the sky and taking off.
I mean, learning our, our true potential
and really truly living the best version
of ourselves without, uh, you know,
worrying about the opinions of others
or, uh, any negative influences from the
outside or inside.
You know, learning that true self in die, accepting
that true self and understanding that we are a facet of
that, of the one infinite creator,
and that we hold that, that potential.
So, uh, further, the nature
of this mean creature is echoed both
by the female holding it
and the symbol of the female, which the figures feet rust.
The nature of the catalyst is overwhelmingly
of an unconscious coming from that which is not of the mind,
which has no connection with the intellect, as you call it,
with proceeds
or is in, um, calmant
with catalytic action.
All uses of catalyst
by the mind are those consciously applied to the catalyst
without conscious intent.
Use of the catalyst is never processed
through the ation ideation and the imagination.
So I didn't catch this when I was going over it,
but it's interesting, it,
it really does say without conscious intent of the catalyst,
it, it's not processed through mentation.
So we almost have to be aware that
something is requiring change, change or action from us.
You know, something is requiring catalyst
and we need to grasp that catalyst.
So, um, and everything is leading to
that opening of the cage.
So all
This kind of goes more into, uh, the magician.
I know the, the bird is very prevalent in
that archetype, at least the, the card, the illustration
of the card, uh, 90 point 30, uh,
the matrix of the mind.
It's a conscious mind
and is sustained by the power of the spirit symbolized
by the star, which flows
to it through the subconscious mind.
Again, it's a shuttle. The spirit is a
shuttle for this energy.
It contains the will, which is symbolized by the cept
of power in the magician's hands.
There we go. So the one is nothing more than a symbol of the
magician's will.
All of creation is made through the power of the will,
directed by the conscious mind is a magician.
And the bird in the cage
represents the illusion in which the self seems trapped.
The magician represents maleness
or the radiance of being manifested as the creation
through which the entity moves.
Okay? So lots that, that
to be said in this.
So, and when I was reading this, I was thinking the,
the Bergen, the magician are the same being, okay?
The Bergen, the magician are the same being,
and, uh, the magician is, is
there for the taking.
It's there to be tapped into with the, the will
to open that cage.
So, and yeah, I mean, it kind of represents,
the cage represents third density
and the, the, you know, the
cage of thoughts that we ourselves into
and to do with,
you know, limitation.
The, the idea that we are unlimited beings
or that we're not worthy beings,
or that we are, uh, in biblical terms sin,
or, you know, you name it.
All those, those negative influence that we,
we just don't find ourselves worthy in that.
So once we realize our worthiness and where we come from
and who we actually are, which we're all a facet
of this creator, and we have all that, that
that ability within us to open that cage ourselves,
we just have to, to do it.
So, and again, maleness magician, it just really means
that they, um, this archetype is, is more,
uh, apt to be drawn to male.
So, although it's my favorite one, so that
and the empress, that is another
point to be made though that, um, raw dust state
that we do kind of need to go into each archetype
and then also study how they connect with each other
and how they kind of work with each other.
So I mean, imagine 22, uh, facets of ourself,
you know, sitting at around,
around table discussing our life, you know,
and then kind of, it is just like a meeting of the minds.
So, okay,
Um, I will go into this, although I think I said it earlier.
Uh, this is in regards to, uh,
what information they gave to the Egyptian priests
or priestesses or Egyptians are who is first contacted
or taught with respect to
this magician, the first archetype.
Is it possible for you to do that within the limits
of the first distortion, which is free will?
Um, our first step, as we said, was
to present the descriptions in verbal form of three images,
1, 18, 15.
And this is in regards to, um, the
major arcana archetypes.
And then the questions were asked, what do you feel
that a bird might represent?
What do you feel that a wand might represent?
What do you feel the male represents? And so forth.
Okay, uh, we may note with sympathy
that you undoubtedly feel choked by the opposite difficulty
with great massive observation in the system, all
of which has some merit in each student will experience the
archetypical mind
and its structure in a unique way, useful to that student.
We suggest that one
or more of this group do that
which we have suggested in order
that we may without infringement offer observations,
um, which may be further aid to those inquiring.
So, okay.
Alright. I'm not gonna go into the question on this one,
but very important
phrase to say from raw, let no consideration of bird
or beast darkness or light shape
or shadow, keep any which seeks from the central
consideration of unity.
Don't let anything deter your path.
So, um,
and as long as you have that connection with, with you
and your creator, which is a force inside of you, uh,
jeter you from, from that.
So, um,
let's go into, this is talking about
the book, the Secrets of the Great Pyramid.
Sorry, I'm getting a drink, I'm having some throat stuff.
Okay. But they're asking about the drawings
of the birds that are flying over horizontal entities.
Uh, they're wondering if there was any significance of that,
and they do answer that it was kind of a distortion.
Um, the drawings in which you speak are sum up many,
which distort the teaching of our perception of death
as the gateway to further experience the
distortions concern.
Those, uh, considerations of
specific nature into, as to the process of the,
so-called dead Mind, body, spirit complex.
This may be terming your philosophy, the distortion
of gnosticism, the belief that one may achieve knowledge
and a proper position by means of carefully perceiving
and insinuated movements, concepts or symbols.
The fact the process of physical death, as we have,
as we have described
before, one in which there is aid available
and the only needed death is the releasing of
that entity from the body by those around it,
and the praising of the process by those who grieve.
So, uh, they kind of took the, the, um,
in this book, they kind of took the drawings
of the birds laying over horizontal entities
and kind of spoke, said it was about death, you know,
being the, the, the gateway to, for their experience.
But, um, I do want to agree with this, the,
the process as a physical death, as we describe
before, one in which there is aid available,
and the only test is the releasing of
that entity from its body by those around it.
So in my time working in hospice, uh, 70%
of it was canceling the family on how to let go.
And, um, and then the rest was about
comfort of the individual.
So, and everybody grieves in their own way. I've seen a lot.
So everybody grieves in their own way.
Um, but more importantly, it is about the family letting go
and understanding that they are moving on
to a greater experience.
So, and that they will want jv, you know,
reunited with this person.
So, uh, and it's more like a party on their, on their end.
It's more like a party. So they're, they're waiting for them
to on the other side.
Um, so last one on
the birds that I'll go over,
and then I'll kind of go into, um, some resurrection stuff
and then tie em together.
It the symbols on the face of each
of these little car pouches, such as the birds.
So a car pouch is, um, like a,
uh, a hiogly, and then it's encased in a circle, basically.
So the picture is inside that circle, uh, such as birds
and other symbols have a meaning in this card that it's
of value in considering the archetype.
Um, these symbols are letters
and words, much as your language
would receive such an tablature.
They are to a great extent
and cultured by a people not of your generation.
Well, yes, of course, this is by, um,
if they're written in HIG glyphs.
Um, and the Roth suggests
that the information written upon these cartridges
be understood as the phrase,
and you shall be born again to eternal life.
So, and in Christianity
and, um, other societies, I might say
the heart, the heart is the key to immortal life.
The heart is the key to eternal life,
and that is living in compassion, that is living in, um,
unconditional love, that is living in understanding and,
and being able to handle that 'cause.
And the present moment too, um, is, is part of it.
So, but the more that you are present in the present moment,
you know, pun intended, the more that you're going
to experience what seems to be this eternal act.
And then knowing that even upon Jess,
you are just moving on to a different experience.
The consciousness moves on, the spirit moves on,
and that you, you welcome
to this brand new amazing experience.
So, um, and then you'll be offered
to make amends if you need to make amends
because nobody's perfect.
Uh, you'll be offered to forgive self and forgive others.
But why should we wait until that time?
Why should, why can we not, um, start living
that way while we're here?
There's no reason why we can't start living
that way while we're here.
So, uh, and it seemed to come up on me automatically
after in near death experience,
and I don't believe you have
to have a near death experience.
So to, to really be present
and conscious about your responses and your reactions
and your emotions and the emotions of others.
And, um, I learned all kinds of new things each day.
I went into a rabbit hole the other day about clear
sentience, which is one of the five clears.
And when I really read it, it, I was like, oh my gosh.
Well, no wonder because if somebody, if I walk into a room
and somebody's upset, I feel that in my gut.
I feel it in my heart. And just realizing what that is,
I think kind of helps have like a sense of control to know
that this isn't coming from you.
Um, and it kind of goes into the realms of, of empathy,
but, um, it is one of the five players.
So just understanding and then how to help this person,
or should you help this person
because maybe that is a lesson that they need to go through,
an experience that they need to have, um, to get them
to a better place later on in hopes that they might realize
why they're angry, should they be angry?
Let's transmute that anger into something more productive,
whatever the case may be.
So, and it's all maybe happening in like 0.5 seconds
in your mind, and I think that's, that's part
of being in the present moment
and really discerning what is going on in your environment.
So, uh, and the, um,
the solar energies
that we're getting is, is heightening this.
Um, and it's just gonna keep coming guys.
So yeah, let's just make it the best.
Let's just make it the best.
So, all right, let's go into a little bit of,
um, the resurrection.
I'll speak about that. I did just do a, um,
I did just do a sermon on the resurrection at the sanctuary,
and it went over really well
because I, my point of doing that was
to help others understand that this is a force within,
inside ourselves.
So this is not something that, uh, we, we should just wait
for other people to do.
Um, alright.
And in the love one a lot, the topics that revolve
around the resurrection have to do with the gripe pyramid,
but I'm gonna kind of adding my own knowledge,
it looks like, um,
Margie showing a picture of the res of, of a feather
that she just found so interesting.
Okay, This is session
65, question 20.
Uh, you mentioned in speaking of the pyramids,
that the resonating chamber was used so
that the a depth could meet the self.
What do you mean by that? One meets the self in the center,
or, uh, deeps of the being it's inside of you.
You meet yourself inside of you.
The so-called resonating chain may be lacking into the
symbology of the burial
and resurrection of the body,
where an empty dies to the self.
And through this confrontation of apparent loss
and realization of essential gain is transmitted
and to a new and risen being okay.
And that being is your, your spiritual self,
in my opinion, with the, the winged, the winged spirit.
So, um, and you don't have to go
to the pyramids, I don't feel like, uh,
having an open heart
and using compassion unconditional love is 100%
important when doing this.
But it somewhere else,
and I believe we talked about it, it does say, does the,
the finely tuned being
or a balanced being, something of that nature
is a walking king's chamber.
So you can be in your balanced self
and your finely tuned self upon doing your inner work
and not projecting
or recognizing when you're projecting forgiving easily,
loving easily serving easily,
but also doing that self care easily.
It, it's both, you know, inside
and outside, um,
you can be an exact symbol.
Uh, you are the life, death, and the resurrection you are.
So, um,
and just talking a little bit about the,
the queen's chamber,
Uh, queen chamber was the initial place.
What do you mean by that? It's a large one. Okay.
Um, but let's talk a little bit about it,
however you are aware of the concept of initiation
and realize that it demands the centering upon the being,
centering of the being upon the seeking of the creator.
Okay? We have hoped
to balance this understanding
by annunciating the law of one.
The all things are the one creator, thus seeking.
The creator is done not just in meditation
and the work of an aapt,
but in the experiential nexus of each moment.
The initiation of the queen's chamber has to do
with the abandoning of self to know such dire to know
the creator, and in full
that the purified in streaming light
is drawn in a balanced fashion through all energy centers,
meeting an indigo
and opening the gate to intelligent infinity.
Thus, the entity experience is true life,
or Azure, people call it resurrection.
So resurrection is true life,
resurrection is true life.
That is something inside of you that you recognize
who you are, that you are willing to do your inner work,
you are willing to serve others, hopefully,
and, um, to live in
that eternal life through the heart.
And, you know, work, do the creator's work.
By, by teaching this
and helping other people be aware that
they are this creation, they are a portion as well
as you are of the creator.
And we can all do this together if we just forgive easy
and be kind and forgive ourselves easy
and be kind to ourselves as well.
Okay? Um, you can often see when somebody's not being kind
to themselves because they're not kind to others, uh,
they're, they're projecting that outwardly, uh,
on a massive scale.
So, um, yeah,
so you go in this, this chamber,
and again, I don't, I don't feel like you need to,
just opening of the heart is the central of importance.
And, um, just willingly seeking the creator
inside of you, finding that inside of you, realizing
that it's this, this potential has been inside
of you all along, and then,
and only then you experience true life.
Okay? I am not gonna bring in destiny or feed into it
because I believe, um, and you may disagree,
but I, it's what we make it.
So we do have free willingness.
So in what you believe about yourself, you become
so our thought hold concentration of energy,
and it just expands all around us.
So, um, just as much as our word does, you know,
our word speaks things into existence.
Um, I think that's why they call it spelling.
So being more conscious of the intent of the words
that we are speaking.
And, um, more times than not, and that takes practice.
Uh, I know when I first was really trying to be aware
of the more present moment,
I was setting alarms on my phone throughout the day,
and then it would, it would say, uh, be present.
So then I would set my mind to a state where
I understood in this moment that I was aware of my words
and I was aware of my conscious thoughts,
and I was aware of, um, my own feelings
and my own intentions in that moment, no matter
what was going on, I could have been at the grocery store,
I could have been, uh,
wherever I could have been in a meeting
somewhere, I could have been at home.
But in that moment, I stopped
and I, I paid attention to the present moment,
what was going on around me,
and then shifted it if it was negative,
because sometimes it was,
I was doing a lot of work, still am.
Uh, then I shifted it to a more positive.
I did some mantras, I said some mantras.
Um, I, I kind of moved the energy to the heart center
and I, you know, uh, kind of, uh, sat in there,
um, for a while.
So I don't need the alarm anymore,
although I, it's probably ego to think that I don't need
that anymore, but I've been better about, um,
you know, recognizing that on my own.
So, um, just some advice, you know,
if you're having trouble understanding what
that present moment is, I know it's talked about,
but it's not really explained what is the present moment.
Well, it's you being aware of your own self, um,
and how you're affecting the world around you.
And, and it goes for others too,
recognizing if others are just projecting, um,
things onto you or, uh, and vice versa.
So, yep.
Alright, So this is talking about,
um, you know what, I will go into this.
So when I did my, my sermon last weekend,
I was really trying to help people understand
that the resurrection was something inside of them,
you know, the moment they chose to be their best version
of themselves.
Um, by seeking, by willing to do the inner work, by willing
to change themselves, um,
and recognizing, you know,
how much we're affecting our environment.
Um, when I asked them, you know, have, haven't you
had an experience where you have just been dragged
to the ground by either actions of your own self
or of others, or a combination of,
or just life in general, you've been broke, lost this, lost
that, and then you had, you felt like you had nothing left,
or you were injured severely, you know, almost, um,
almost dead, you know, you name it.
How have you not had that type of experience?
And then you came out of it fully aware,
fully conscious, back on your feet,
almost like this divine energy interview,
and you decided to make a change for the better.
And then now you're doing something different
or you act different or, um, and,
but this was all done by conscious will,
meaning I will not lie here and die,
or I will not be here again.
I will not experience this again.
So you build your way back up
and learning lessons along the way with yourself
and with others and making better choices
and, uh, being more conscious of choices and decisions
and things and of others.
Um, and all of them raised their hand,
every single one of 'em.
So I said, then you can see that
that resurrection is something inside of you by your will.
You have done this. So, um, it is something
that we can grasp ahold of
and we can accept that this is not something
that is done outside of us.
Okay? This is asking about
writing their book for book one.
So wondering about the, the entities,
the contact is be Betty Anderson.
Okay? The entities in this
and some other vividly remembered cases are those
who feeling the need to plant confederation
and my jury in such a way, ask to not
abrogate free will use the symbols of death.
Resurrection love as a piece of means
of creating upon a thought level, the time space illusion
of systemic train of events,
which will give the message of love and hope.
This type of contact is chosen by careful consideration
of confederation members, which are contacting an entity
of home by like home vibration, if you will.
This project then goes
before the council of Saturday if approved is completed.
The characteristics of this contact include non-painful
nature of thoughts, experiences,
and the message content which speaks not of doom,
but of the new dawning age.
Okay? It is important to know, um,
a lot of the stuff out there I see is doom and gloom
and, you know, maybe this isn't necessarily a,
a quite negative thing.
Um, I believe that gives people catalyst to do better. I do.
But in speaking of this particular con, uh, contact by, um,
Betty Anderson, this was done by, um,
the confederation, the, the benevolent folks.
So, All right, talking about the
queen's chamber, again, it's going up.
Take another drink.
Okay? They're
asking about the, the shape of the actual,
so the point and the point at the top
and the spiral spiraling light.
Okay? Uh, certain shapes offer an echo chamber
or an intensifier for spiraling.
Prana s have called this all present primal distortion
of the one infinite creator.
If the intent is to intensify the necessity
for the entity's own will to call
for the inner inner light in order
to match the intensification of the spiraling light energy,
the entity will be placed in
what you have called the clean chamber
position in this particular shaped object.
This is the initiation initiatory place,
and it's a place of resurrection
because it has to do with you meeting you, okay?
You meeting yourself at its very core.
Well, us at our ourself at the very core is that that
facet or that fractal of the one independent creator.
So very interesting.
Um, but connecting those two together, uh, you know,
the wing, the, the wings of the bird indicate flight,
the wings of the, the wing, the bird gangs,
its wings when it opens the cage.
Well, isn't that, you know, connecting to the idea
of resurrection where we take flight in our life
and we really start living life as it should be
or as we feel it should be, um, that is true life, you know,
that is resurrection.
We have come back from, uh, whatever particular negative
or what we perceive as a negative experience,
well then we have to take to look at,
We might have thought of it as a negative experience then,
but would you have had the opportunity
for flight in your life if that didn't happen?
Uh, and would you have had an opportunity
for those lessons learned if it not had been for
that particular thing that happened?
So, um, so the resurrection
and the bird symbolism really, really goes together.
And, you know, earlier it was said, you know, the,
the bird is a messenger as a message from the higher self,
and then the higher self gives, you know,
the portion is you a message.
And then essentially we become the bird once we accept this
fight and open the cage.
And, and true, really just to start enjoying true,
true life.
I, there's so much work to be done in this world on,
uh, getting this, getting this system back to
what creator intended it to be, and it starts with us.
We need to be that change that we see.
This is not an easy task to take, you know, I think
of the pioneers, you know, well, they struggled, you know,
well, again, release, release that sword from the stone,
release the struggle out of it,
and just know that this is being divinely guided
and we make it what we feel it needs to be
as long as we're not, um, harming others
or, uh, invading others' personal free will
or whatnot.
Um, and we have that ability to speak things,
and we have that ability to create things
as given by our creator.
Humanity has created some amazing things,
and that comes from normal people, that comes from us
who have had a spark of imagination.
And that spark of imagination comes from somewhere,
and that is the ability to create.
So that has been given to us.
So, um,
let's see where we're at, which time?
Okay, I think we're good for today, guys.
So, um,
so we will be back very soon.
Um, keep an eye on, uh, an announcement for the next,
we, it should be next week.
There's a lot that's been going on here.
I've had water issues with the house.
I mean, it was like the water literally
came up from the earth.
It was something else, but we got through it
and it was just one of those things that allowed me
to take the catalyst by the hands.
So that's, that's all I'm gonna go into about that.
But it, but so sorry I missed the last couple weeks,
but we should be back on track now.
Thank you guys for listening.
Any questions, any concerns, please leave in the comments.
Otherwise, I love you guys and I'll see you soon.