WEBVTT
Hello everyone.
I hope you all had a great weekend this past weekend.
I hope some of you got to see some Northern lights.
Uh, I wasn't as fortunate this time around,
but we'll see here in the coming future.
Uh, tonight we're gonna be talking about the great way
and the love one, uh, more specifically all of them.
So the great way of the mind, the great way of the body,
and the great way of the Spirit.
Uh, but first let me do a quick introduction.
I'm Trish, I've been studying the law of one since
around 2017.
I'm a tarot reader and a psychic medium.
I had a near death experience back in 2021 that, uh,
further intensified those experiences.
Uh, I'm a seeker just like everyone else,
and I do this as a way
of offering my own current understanding.
It's also important to note that this does come
through my own distortion, so please take
what resonates and leave the rest.
Uh, the site I'm working off
of tonight is the Love One Info.
You can see that up here.
Uh, and it does offer
the complete channeling sessions in order
that we're joined early 1980s through Carlo Rucker, uh,
Jim McCarty as a scribe, and Don Elkins as the questioner.
Uh, love one, in my own opinion, was brought through
as a way of assisting humankind to seek further truths
of creation and to help us in finding those truths
within ourselves.
So, as I said, we're doing all three great ways.
Um, and I, I wanna connect the three,
and this is, again, it comes through my own understanding.
So if it does not resonate, as I said, take it resonates
and leave the rest, um, that one day say
that the significant is complex
and what a complex means in terms of a law
of one is the three act together.
Uh, it doesn't say anything about the great ways being
complex, however, I think it's impossible
at some point in your study not to connect them.
So that's what I'm hopefully going to do for you guys today.
So you can see how all three
of them really do kind of need to work together.
And I mean the Mindbody
and the spirit for us to understand how creation comes
through or how you connect to creator
and then ultimately making your choice to be of service
to others or to only serve oneself.
So let's get going.
And there's a lot to talk about with the great way
of the mind that is the Chariot in Archetype study.
So let's get into session 79, 41.
Don asked, would the conqueror
or chariot then represent the culmination of the action
of the first six archetypes into conquering
the mental processes, even possibly removing the veil?
So the other, the first six archetypes are listed here.
So we have the matrix potentiator
catalyst experience, significant
transformation, and then the great way,
and then we move on into the body.
So, and raw answers, this is most perceptive, the archetype.
Seven is the, the one difficult to enunciate.
We may call it the path the way
or the great way of the mind.
Its foundation is a reflection
and substantial summary of archetypes one through six.
And when I think of that phrase there,
the substantial summary, I think of
how they speak about the violet ray being a
sum of all the others.
So that's a chakra, that's a sum of all the others.
You take frequency from the root,
the frequency from the sacral, the solar, the heart,
the uh, the throat, the voice into the,
uh, the indigo ring.
And then you add those frequencies together
and that's how you mature some.
The violet ray. Um,
one may also see the way the mind is showing the kingdom
more fruits of appropriate travel through the mind,
and that the mind continues to move is majestically
through the material it conceives conceives of
as a chariot drawn by royal lions or Steve.
So this is a mind moving, right?
Um, and then for Carla, they were suggesting
some things for her pain.
So, uh, interesting
and I wanna get into, we get into it a lot further,
but they talk about it being in relative
to time space in a sense.
So let's go forward before I get ahead of myself.
So I wanna see what raw says about it.
So moving on to 92 17, Don asked, um,
as each energy center becomes activated
and balanced, the transformation
of the mind is called upon more and more frequently.
And let's look at, hold on, let's look at
what the transformation of the mind is in order
to better understand.
And it's the levers. So, uh,
and when I, when I experience this,
this is from my own experience,
it's like you're seeing everybody's light
and dark at the same time as well as your own.
And you're having to kind of discern who's who
and, and what's what.
But you're seeing it all happening
in current time.
Okay? So the transformation into mind is called upon more
and more frequently when all
of the energy centers are activated in balanced
to a minimal degree contact
with intelligent infinity occurs.
The veil is removed.
And the great way as a mind is called upon, is this correct?
And Ross says, no is not quite,
not quite an elegant look at some
of the relationships within the archetype archetypical mind.
However, it must be seen once again
that the archetypical mind does not equal the acting
incarnation, mind, body, sphere,
complexes progression or evolution.
Okay? Due to the first misperception, we hesitate to speak
to the second consideration,
but shall attempt to clarify
while studying the archetypical mind, we may suggest
that the student look at the great way, the mind not as
that which is attained
after contact with intelligent infinity,
but rather as that portion of the archetypical mind,
which denotes and configures the particular framework within
the mind, body, or spirit archetypes move.
So this, the archetypical mind is the, the framework.
Well, the great way is, is more or less the, the framework.
So our ultimate goal, I would think would be the great way.
But we have to pass through all the other archetypes,
you know, first and, and get through those
and understand that that's a path that we have to take,
you know, as far as going through, um, any,
I mean, it goes all the way back to, so
that's your foundation, right?
And that's something that makes you move.
And then you have a catalyst which makes you move even more.
And then there's a desire for change, right?
And then this is the experience you are
reflecting on the recent catalyst and,
and how, how, looking at how the things you could improve on
or, um, then looking outward
and seeing what what others might need to improve on.
And then this is the ultimate, you know, we, we reviewed all
that and we've seen what we bring,
we've seen how far we've come.
We have an ultimate view on where we're grateful
for the catalyst and what we brought
and the things that we do need to work on.
And we're thankful for the catalyst
'cause they just show us things that we need to work on
as well as, um, you know, in the outer environment
with other selves as well.
So, and then we, we kind of have to have this view
of ourselves to make any kind of transformation, right?
And then we have the great way, which is, you know,
our ability to kind of pull that through with
what we know of what we learned.
Okay, so
this is moving on to a hundred 0.7.
Uh, we will probably return to this card next session
and move more of an observation
after we study Ross comments to conserve
and efficiently use time.
I'll make notes with respect to, uh, card seven. Okay?
Which is, again, the chariot.
First the veil between the conscious
and the unconscious mind has been removed.
The veil is the curtain, I would assume,
and at the top is lifted,
even though the veil has been removed, perception
of intelligent infinity is still distorted according
to secret's, beliefs, and means of seeking.
Would you comment on that?
And I'm not gonna comment on his question
because raw answers it in such a great way.
Uh, as one observes the veil
of the image is a great way the mind, it may be helpful
to ideate using the framework of environment.
The great way the mind, body
or spirit is intended to limb the
malu within each framework of the mind, body
or its spirit shall be placed.
So maybe it's been a while since I've been in school,
but I had to look at the Definit definition of
what in the world that meant.
And maybe it's just because it's not in my common vocabulary
to say limb, the malu.
So what, what it means is mimic the belief within
which the work mind, the work of mind, body,
spirit shall be placed.
So yeah, I mean he answers it.
It is our view of intelligent infinity or the cosmos
or the universe absolutely mimics our belief system.
And, um, I've had my own near death experience
and I've listened to others experience from it as well.
And everybody kind of sees their own belief system.
So, uh,
and some not mind kindness threw me off guard a little bit,
but I had already been studying the loved one, uh,
for a few years before, uh, I ended up
with my own experience with that.
So, but um, thusly, the veil is shown
vol somewhat lifted and still present since the work
of the mind and its transformation
and involves progressive lifting of the great
veil be Twix conscious mind and deep mind.
The complete success
of this attempt is not properly a portion
of third density work
and more especially third density mental processes.
Okay? So, um, basically our,
our belief systems are the network that we've created
with this belief system
or the malu that we have created
with this belief system really isn't lifted until, uh,
you know, we are incar
or not incarnate anymore, is the way that I'm understanding,
uh, you're more than welcome to correct me if you think that
that needs work.
So let's look at the card really quick though.
Um, well, no, let's go
through this window and we'll look at the card.
Moving on to the next question in the same session, 100.8,
the, the fact the vale is raised higher on the right hand
side than on the left, indicates to me
that the HF is choosing the positive polarity will have a
greater success in penetrating the veil with raw comment.
Raw answer is, yeah, this is a true statement.
If it is realized that the questioner speaks
a potential success, indeed your third is
to experience is distorted
or skewed so
that the positive orientation has more aid than the
so-called negative.
So let's look at the card really quick.
This is, um, here we go.
So this is the chariot.
So this is where we're talking,
this is what he is talking about.
The veil, you know, is, is pulled up higher on the,
the right side than it is the left, right?
So this is where they're saying, well, yeah, it's kind
of made that way so that, you know,
the positive gets more assistance if you choose that route.
Um, I also wanted to point out my own in this card here,
and they may explain it at some point,
and it's probably gonna come up in this discussion too,
but this sphere here is in the right hand,
and it's a white light emanating white light indicating
that maybe, and I know she's pointed to the left
and I'm thinking she's a positive
or he's a positive creature, um,
and he's getting assistance, he is listening
for the positive response because he wants to be positive.
He's in order to be helping something over here in order
to be assisting something over here, right?
And we have this sword here, which to me
that's protection to be honest.
Uh, that's my own interpretation.
Um, and then we have anything that's colored
and white is gonna be your positive.
And then such as much as we have the two sphinxes here,
which we'll get into later,
but I believe that's proximity to timespace.
We have a positive and then a negative.
But it's, it's like there's a balance here, right?
Because we have a positive side here,
but yet there's a negative down here.
So there's a balance involved in all of this.
So, okay,
let's go back, we'll go back to the card at some point.
Just wanted to point out my own
interpretations on some of that.
Okay.
All right, so we're at hundred 0.9.
It would also seem to me
that since Ross stated in the last session that the limit
of the viewpoint is the source of all distortions.
That the very nature of the service to self distortions
that create the left hand path are a function of the veil
and therefore are dependent to some degree
on at least a partial continuing veiling.
Does that make any sense?
Raw answers, there is a threat of logic in what you suppose.
Well, okay, maybe the polarities are both
dependent upon limited viewpoint,
however, the negative polarity depends more heavily upon the
IUs illusory separation, betws the self
and all other mind body spirit complexes.
So that's self and other people, you, you have this illusion
that you are separate from others
or you have to stay separate.
The positive polarity attempts to see through the illusion
to the creator in each person, in each mind, body,
spirit complex, but
for the greater part is concerned with the behaviors
and thoughts directed towards other selves in
order to be of service.
This attitude in itself is full of stuff
of your third density illusion.
Yeah, absolutely it is.
Um, so the positive side works more closely
with the idea of seeing the creator
and all the negative would like to keep that separation.
Um, however, going back to the positive, it seems
to be more concerned with thoughts
and behaviors directed towards others in order to be
of service, right?
Okay, well that makes me feel better,
but it also kind of gives us a reminder, hey,
this is their density stuff.
This is just things that we have to get
through at this point in time as we go through this cycle.
And it is just normal surge density stuff.
So, okay. Alright.
The crown of three stars indicates a mastery of balancing
of the mind, body, and spirit.
Is that any way? Correct, this device is astrological
and origin and the interpretation given somewhat confusion.
We deal in this image with the environment of mind,
it is perhaps appropriate
to release the starry crown from its stricture.
So I think that was the old is is part
of it the redrawn?
So I think in, look at my jacket
and see if there is
three stars
online, there is not.
Okay. Okay.
And I think that was a culture thing.
They do mention, you know, the ones that were,
that have originated in Egypt, um,
several millennia ago were
more culture based than anything.
So, and we see that nowadays too.
I mean, there's how many versions of of tarot out there
that are all drawn differently?
It's all, everybody's just distortions of, um,
their own culture and their own belief system.
So not that any of them are wrong, that's just
how they were brought through.
Okay? The entities, the small russet or black
and white entities have now been changed so that they appear
to bees, which we are assuming mean
that the catalyst has been mastered.
I am also assuming that they act as the power
that moves the chariot depicted here, so
that this mastery enables the mind
and its transformation to become more immobile,
unlike it was prior
to this mastery locked within the illusion.
Can raw comment on that raw answers?
Firstly, we ask the student considered a great way not
as a culmination of series of seven activities or functions,
but as a far more clearly delineated image
of the environment within the mind, body
or spirit, so shall function.
Therefore, the culturally
determined creatures called sphinxes do not indicate
mastery over catalyst the second SPOs
that a placing the creatures as the movers of a chariot
of mind has far more virtue.
You make note that the concept of time to the image
of the sphinx, the mental
and mental emotional complex, ripens and moves
and is transformed in time, right?
So that's where I was talking about earlier where
SPX is kind of represent time.
So, um, we can have a positive time space
and a negative time space.
And there appears to be a balancing act going on with these
as well within the positive
and negative like, uh, a yin yang.
See over here, she's, I say she
or he is almost, look, she, she is listening here
for the positive insight
or a positive higher self, if you will,
listening for that intuition.
But she's facing this way.
So she might be in a sense, speaking this way,
directing that way, but she's listening this way
and there's still a positive down here
as well as a negative over here.
The right side in the law
of one always represents the right hand path,
which is service to others.
Okay?
All right. Okay.
You know, I mean, can we make the conclusion
that this represents our ability to
our mind travel in time space, I would say yes.
And as far as pointers on
training your mind, you know, in a sense to,
because I think it all happens in the present moment.
And by it all happens, I mean,
everything is in the present moment
and we'll connect that with the other two
of the body in the spirit later on.
But, um, listening for the present moment, listening,
training your mind to focus on the present moment
is a rather tough thing to do
and it takes a lot of practice.
Um, but I think that, you know,
watching the secondhand at a clock and,
and predict, trying to predict when it's going to move next
or listening for, um, a metronome
and predicting when it will hit next is one great way of,
of training your mind to listen for
that present moment.
Because that's where it's all, that's
where the creator lies.
That's where everything that you're looking for,
the answers, the intuition, that's where it's at.
So,
okay, so let's go on to 1 0 3 point 10.
In that case, I have a few questions on card seven.
In order to finish off our first run through
of the archetypes of the mind, there is a t
with two right angles above it on the chest to the entity
and Car seven, then we have a lower T
and we guess that it has something to do
with the possibility of choosing either path in the
transformation and the upper two angles
representing the great way of the left or right hand path,
and a mental transformation
that makes the change from space time into time space.
You might say, is there anything in there
that's actually correct in this?
Guess so? And Ross says, yeah, okay.
And that's all they asked. They didn't
ask for a clarification.
So the next question is, would you,
would you comment on that?
But first I wanna go back to the card and,
because I think they're talking about the original cards,
and I didn't bring those up, but there is a T here
and then there's a lower T.
But again, I've already gone over the, the, the right hand
and the, the left hand path.
So, um,
I'm probably flipping back and forth too quick.
I apologize. Okay, so let's go on
to the clarification of this.
The, the use of the towel
and the architect square is indeed intended
to suggest the proximity of the space, time
of the great waves environment to time space.
And for those of you that may be new,
I'll go over this concept again.
Um, space time is, you know,
we have three dimensions, space, one dimension time, right?
We, we have space surrounding us and three dimensions,
and we have one dimension time, which is linear.
That's the only direction.
Time goes where we are sitting at right now.
But then we have this area of the cosmos, the universe
that is time, space.
And that is three dimensions time,
one dimension space, which means
that space really doesn't go anywhere,
but you have three dimensions of time around you.
So FlipFlop 'em, so the three dimensions of time, you know,
past, present, future, um,
and this is like you are, if you're reviewing a memory,
you know, it exists somewhere in time space, right?
I mean, maybe from 30 years ago or 10
or you know what have you.
And, and you're in there, you're not moving,
you're in one dimension space
watching this event take place right?
Now, if I ask you to think of something
that happened in fifth grade, you know,
then you're watching the events happen in fifth grade
from from one dimension space.
And that is you are viewing past
and you can do the present as well.
You can and possibly view the possibilities
or probabilities of a future shine space.
So, okay, all right.
We find this observation most perceptive.
The entire mood is a great way,
is indeed dependent on its notable difference from the
significant tour.
The significant is the significant self
to a great extent,
but not entirely influenced by lowering the veil.
The great way the mind, body
or the spirit draws the environment,
which has the new architecture caused by the veiling process
and thusly dipped in the great limit list current
of timespace.
Okay? So it depends on how well you did
with your significant portion of your journey, right?
And I find that these are constantly going back
to time and time again.
Um, because there's, with each lesson, I feel like,
you know, with each growth period year is one
of these cycles.
And you know, I
I sometimes I can pick them out and sometimes I can't.
So, um, but I am getting better about it.
I can, I can see that I'm not always great at recognizing
the catalyst, which is probably true for a lot of us.
Um, sometimes we just don't recognize
that there's an opportunity as growth in front of us
and we're fighting against it.
So, and what is that opportunity?
That's the opportunity to be the better person sometimes.
So, uh, and that's discernment with each experience.
That's what it's all about, right?
It's all about experience.
When it comes down to it, it's experience.
Okay?
And the great way. So with this one here, I,
I feel like I need to say something about this.
And I know I have before, um,
I did go over the chariot in detail in,
in one whole episode a while back,
but, um, which has
been a new architecture caused by the veiling process.
So it's a great way, yeah,
recognizing that you still have the veil, um,
maybe lifting slightly, but,
but there's an opportunity placed in front
of you if you like,
or you're able to see limitless
opportunities from where you're standing.
And I think the opportunity there would be to, to
go forth, you know, go forth
and bring through the part of you
that you find has connected to creator.
Okay, next question. The same session.
I am guessing that the wheels on the cherry indicate the
ability of the mind to be able now to move in time space.
This is correct. So this is where we get to the point
where they talk about the mind being able
to move in time space, which it does all the time, guys.
It, we just have to recognize when it's happening.
And this, this has been my thing
to pinpoint when it's happening
because I, i, once I realized one time
that it was happening, it was like, well, I,
it's nothing new, like, you know, so I think part of it is
for us to realize this is happening funding
and we need to learn how to work with it.
Okay? So we can't say
that the observation is totally incorrect for there is
as much work in time space as the individual
who evokes this complex of concepts has assimilated.
However, it would be more appropriate to draw the attention
to the fact that
although the chariot is wheeled, it can't,
it is not harnessed to that which draws it by physical
or visible harness.
What then a student links
and harnesses the chariot's power
of movement to the chariot.
Well, I think that would be consciousness, right?
That would be the magician. That would be consciousness.
Consciousness is or the willpower, um,
or all the above, you know, drawing the, the mind into
which space
or time space we would like to move into.
I hope that makes sense. So yeah,
let me show you on the card.
Let's go back to it. I know I've been kind of flipping back
and forth so there's no harnesses, right?
And in mind though, in my deck, I
think there's horses instead of sphinxes
and there are harnesses.
So I feel like at one point in time when,
and if I designed my own deck, I would remove the harnesses
because yeah, and you're right.
I mean it's, it's power of willpower consciousness
and willpower involved in moving the mind
where it needs to go.
So, okay,
so at one point in time they were redrawing these
and they were getting direction from rah to,
to redraw the co, uh,
'cause rah had given some insight into the Egyptians
a few millennia ago.
And of course some of it got distorted,
which I don't think there's a way around distortions,
however, they're trying to be a little bit more clear
with it this time around.
So, um, so we were thinking about
replacing the sword in the right hand
with the magical sphere
and a downward scepter in the left hand, similar
to card five, the significant
adds more appropriate for this card.
Would you comment on that?
Um, and then Ross says this is quite acceptable,
especially if the sphere may image s spherical
and e effluent.
So yeah, says they're talking about this feed here
and there's this word here, okay,
and there's so much I can get into in this card.
Let's go back to what they talked about though.
So, because this is like specific imagery here,
okay, next question.
The bent left leg of the two Hines indicate a transformation
that occurs on the left that doesn't on the right,
possibly an inability in that position to move.
Does this have any merit?
The observation is that has merit in
that it may serve as the observe
of the connotation intended.
The position is intended to show two items, one
of which is the dual possibilities of the time.
Full characters were full characters, they're drawn
tongue twister, the, the resting
and possible the resting is possible in time,
as is the progress.
If a mixture is attempted,
the upright moving leg will be greatly hampered
by the leg that is vent.
The other meaning has to do with the same right angle
with its architectural squareness
as a device upon the breast of the actor.
Climb space is close in this concept
brought close due to the veiling process
and its ness
and producing actors who wish to use the resources
of the mind in order to evolve.
Okay, so let's look at the Ben. So this one's bent.
Alright, so yeah,
you're saying you know, the knee is bent,
then it's a possibility that it will kind
of be weighted down and kind of, you know,
cause some lack of movement.
Oh yeah, so that's the left side, right?
There's some lack of movement on the left side
by staying in negative patterns.
Okay. Alright.
So I'm assuming next question, same session.
I am assuming that the skirt is skewed to the left
for the same reason that it is in card number four,
indicating distance indicating the distance service
to self polarize entities keep from others.
And I am also assuming that the face is turned to the left.
The same raise in your card number five,
because of the nature of the catalyst, this is correct.
Raw answer is please expel breath. Okay.
Yeah, they were doing some exercises there.
Your, uh, previous ion is indeed roughly correct.
We also might note that if we informing the original images
of your people, we're using the cultural common places of
artistic expression of those in, in Egypt,
the face is drawing the side most often as the feet turned,
we made use of this
and thus wish to soften the significance of the side.
Long look. In no case thus far in these deliberations,
however, has any misinterpretation
or unsuitable interpretation been drawn?
Huh? So no interpretation is wrong, I think is
what they were trying to say.
My own interpretation of it is, you know,
she's listening, but she's looking this way.
She's looking for some intuition
to bring over possibly
for some advice.
Yeah. All right.
I still think this is for protection.
She's, you know, she knows she's going into
possible negative situations, so she's bringing
some protection while still listening from advice, from the,
uh, positive intuition.
Okay? Okay.
So that is the great way, uh, the mind.
And let's go through, uh, the right way,
the body really quick, which is not a whole lot on the body
and the spirit as much as I wish I, I
so wish they would've asked more questions about them,
but I know they were trying to get through
all the archetypes when they were doing this channeling, um,
and they couldn't do them anymore at some point.
So, but that's okay.
I think a lot of what raw gave us anyway is kind
of left open for interpretation.
So, uh, a great way of the body is the alchemist.
Okay? And it's,
I think I've done a whole episode on that as well.
But the point of today, as I said, is to look at all three
of them and how they interact with each other.
Okay? And finally, the 14th,
the great way the body is called the Alchemist
because there is an infinity of time for the various bodies
to operate within to learn the lessons necessary
for evolutionists is correct, uh, Ross as well.
Um, which is less than completely correct as a great way.
The body must be seen as are all archetypes of the body
to be a mirror image of the thrust of the activity
of the mind.
The body is a creature of the mind
and is the instrument of manifestation
for the fruits of the mind and spirit.
Therefore, you may see the body is providing the hanor
through which the Alchemist manifests Gould.
And a AOR is a furnace, right?
And I wanna say something too,
and a lot of decks,
this card is not called the Alchemist in some it is in some
decks it's called temperance, which is having to do
with the emotions.
So I think there is an emotive quality to the alchemist.
Um, and I've seen it,
and maybe again, as that's just my own distortions
and my own understanding, fine,
but it does help me understand, um, the way
that we manifest is through our emotions.
And what do you think we manifest the best from love, right?
Patience, you know, understanding unconditional love.
I feel like those are the things
that we manifest best when we carry those emotions
and our manifesting modes and our, our meditations
and our visualizations.
We manifest the best, the absolute best with love,
unconditional love and forgiveness.
And we see the best results, not just for us.
You know, I'm not really in this for me anyway.
I mean, I am, and to an extent, I mean,
I have to think about me too.
'cause if, if I don't help my own self,
then I'm no help to anybody.
However, I wanna see everybody shine.
So, okay.
And, and there's, there's no way that,
um, we manifest anything good from anger or resentment or
'cause that's if we carry those emotions
and that's what we see, right?
So the, the body is, um, if the body is the furnace
and it's cooking, you know, our outer environment, so
to speak, if you wanna look at it that way, then let's,
let's put our mind and our bodies into let's bring
through our spirit as a shuttle into our mind
and through our body's love
and forgiveness, right?
So this, this archetype to me, um,
you know, that's how we make the energy manifest, right?
And, and really for all the great ways, that's
how we make the, yeah, the energy manifest.
So we have an idea we created, we bring through that idea
through our spirit as a shadow.
We, then it enters our mind
and then we have this idea for creation of something.
Our write, writing, music,
um, technology healing, something,
you name it, okay?
Then we bring it through our, our bodies
and then it enters the world, right?
So then it enters the world, then it's offered to the world.
So creation isn't offered.
Your creation or our creation
or you, whatever is then offered
to the world, bring it through.
Okay? And I think
it's the same thing we went over earlier with this,
and this is where I get a little disappointed
that I wish they would've gone more into, into this.
But, um, let's go into
the great way of the spirit.
Okay?
Let's check our time.
I do try to,
Okay, very, very good.
We're at 3 42
minutes, get a drink.
Okay, so archetype number 21.
That is the 21st
archetype, the
So then I guess that the 21st archetype woodbridge up
represent the contact with intelligent infinity.
Is that correct? Raw says, yeah, this is correct.
Although one might see the reflection of this contact
as well as the contact with intelligent energy,
which is a universe
or you have called it somewhat provincially the world.
So you're not thinking big enough is what they're saying.
So you are not thinking big enough.
You called it the world, but it is the universe.
So then as session 80 22,
then by this contact also with intelligent energy,
can you give me an example of what this would be for both,
for the contact with intelligent and infinity
and intelligent energy.
Can you gimme an example of what this type
of experience would result in, if that's at all possible?
Uh, we have discussed the possibility of contact
with intelligent energy for this is the energy of
the logos, and thus it would be,
it is the energy which heals, builds, removes,
destroys, and transforms all other selves as well
as the self.
Okay? So the logos,
we know our son is a sub
logos of the logos.
So it's a child of the logos, um, it very much as an adult,
it's just a child logos.
Remember we are sub sub logos
and that is the energy that we are derived from.
The contact with intelligent infinity is most likely
to produce an unspeakable joy
in the ity experiencing such contact.
If you wish to query in more detail upon this subject,
we invite you to do so in another working.
Okay? And this is the same thing.
So, um, going
from the, the my body
and then the spirit, um, let me go into this
where it says that the,
see if I can't find it.
Here we go. This is talking about healing abilities,
but I wanted to show you where it talks about the,
the spirit of being a shuttle.
Okay, here we go.
This is 30 tattoo.
The mind is a complex which reflects the inp pourings
of the spirit and the outpourings of the body complex.
So the mind is where you essentially are,
are thinking from, I wanna say.
Um, and there is parts in love where it says,
our emotions are created from our mind.
It contains what you know as feelings, emotions,
and intellectual thoughts,
and it's more conscious, uh, complexities.
Moving further down the tree of mind, we see the intuition,
which is of the nature of the mind more in contact
or in tune with total beingness complex.
So this is, this fear is a big, if I'm calling it,
let's just say it is for this discussion,
this episode's sake,
this is representing the intuition and she's listening.
This fear is every part of this person here
as the person there itself.
So, um, moving down to the roots
of the mind, we find the progression of the consciousness,
which gradually turns from the, the personal
to the racial memory, to the cosmic influxes,
and then thus becomes a direct contractor of that shuttle,
which we call the spirit complex.
The spirit complex is the channel whereby the end pourings
from all the various universal planetary
personal end points may be funneled into the roots
of the consciousness and whereby consciousness may be
funneled to the gateway of intelligent infinity through
the balanced, intelligent energy of body and mind.
You will see by this series of definitive statements
that the mind, body, and spirit are inexplicably intertwined
and cannot continue one without the other.
Thus, we refer to the mind, body, spirit complex,
rather than attempting to do with them separately
for the work, shall we say that you do
during your experiences is done through the interaction
of these three components, not only not
through any what?
Okay, all right, so let's look at
here we have the chariot and then we have the alchemist
rightist.
And this figure here does have wings.
So they are learning how to manifest.
I feel like that, I feel like they're learning how
to bring things through to channel things through.
And look, there's some type of object here
on top of the head and head.
There's some stars up here in the corner.
Um, I, you know, if we're, what do they represent?
I would say our connection.
We're looking further into the spirit,
because remember, this is the, the great way.
Uh, the body then directly moves into, uh, the great way
of the spirit or just the archetypes, the spirit in general.
I mean, however, look at all three of these together.
Look at the progression. Look at the progression.
So this is mind, this is body, this is spirit.
And remember, the spirit is winged.
I remember going through that before.
Bring that the spirit is winged. This is a moment.
The spirit takes flight, but it takes the mind
and body with it when it does take flight.
Um, and I'm gonna go back to my statement earlier
and I'm explain it further about all
things in the present moment.
Okay, here we have the chariot,
which talks about the mind's ability to move in time, space.
And then we have the alchemist bringing things through.
And here we have the universe contact
with intelligent and infinity.
Wouldn't that be our ability?
Wouldn't our ability to move in time space
and find that present moment allow us to bring
through intelligent affinity,
especially when we contacted it.
So going back to the exercises, you know, again,
with listening for the present moment, just be present,
practice being present throughout the day
or set a, a timer, alarm clock,
um, practice with a metronome.
Um, watching a second hand on a clock, uh, just,
just searching for that present moment.
And then do some visualizations on your manifesting.
Um, you know, choose
mentally or outwardly both
to, you know, make that choice.
You know, I wanna be in service to others.
You know, if you make the left hand fast choice
that's on you, you know, there's no wrong or no right?
But I think the closer we get to understanding
what the present moment carries for us, contact
with intelligent infinity is in our ability
to find that present moment.
And then the alchemists can then bring through
that intelligent infinity.
And basically with our emotions, this is why we should be
allowing ourselves to feel those emotions
and understanding where they're coming from and,
and work with them as they come up.
Um, and going, I've said
before, you know, working with trying
to control the emotions, I think has an adverse effect, more
or less feel them, appreciate them, love them,
and then move on from them
and, you know, fix whatever situation if it needs fixing
or not, so on and so forth.
So, um, there's so much to be said about the figures here
and
think, I do talk about this at some point somewhere.
I dunno if I have time to get into it today,
but I do notice she's playing music here.
You know, I mean, everything is a symphony, right?
Um, I think the universe,
it rings right, it rings, it makes music,
and we have string theory.
We have, uh, which, you know, may
or may not be completely accurate from the way
that humans can understand things.
But in a sense, you know, um, boiling down
to the smallest units of creation, I think
that everything vibrates.
I think that frequency is the sound
that things make when things vibrate.
We vibrate at a certain frequency,
our chakras vibrate at a certain frequency.
So I think it's in a sense
representing the frequency that we bring to the world.
Um, and narrowing that down to precisely, you know,
seeing ourselves as our significant self, going through
that transformation, being appreciative of
that transformation, and then
reaching the great way into understanding what who you are
and what you are about and what you bring,
and then doing it,
and then bring it, you know, bring it, bring it.
I'm making that choice too. Hey, I'm doing that.
I'm, you know, I'm doing this for in service to creator.
I'm doing this in service to others. Bring it, bring it on.
So, um, let's check our time here.
Okay, I think
that that should be good for now.
I usually find like 28 other things
as soon as I, um, end the recording
and then I go back into to reading.
And so if that happens, then I make a part two.
Any suggestions from you guys as well?
I'll be gladly to take them in.
If there's anything that you would like to, for me
to go over, please let me know.
Um, the log one has been one of my greatest,
greatest interests in figuring out
and understanding it the last couple of years.
So I'm glad to look into anything for you all.
Uh, in the meantime, um, stay safe,
stay safe, and especially those in Florida,
uh, in, in any harm's way at all with
whatever changes we have coming on.
Uh, please make arrangements and, um, reach out
and be afraid to reach out if anybody needs any help.
So I'll be praying and I'll be watching.
Um, I love you guys and I'll see you guys next time.
Thank you.